Letter P, with smaller letters H and S set within, forming the monogram PHS, for Philippus. On interior, six roundels depicting the legend of the apostle Philip. Beginning with the three left-most roundels at top: Saint Philip setting out on his mission; Saint Philip preaching in Scythia; Saint Philip refusing to worship an idol and provoking the wrath of a dragon lurking within; on the two roundels below, the taking of Philip; the crucifixion of Philip. On the roundel at upper right, burial of Saint Philip.

Upper half: Adoration of the Magi
Lower half: Pietà with St James the Greater and St Ursula; figures of male and female donors kneeling at either side. On the table on which they kneel are two paired shields of arms.

source: British Museum website

Paternoster, Ten Apostle Ave Beads, Crucifix, and Finger Ring

Paternoster: exterior - Gothic tracery;
Interior upper: Celestial Jerusalem with Christ presiding over Last Judgement with St. Matthew on left, Job on right;
Interior lower: Cleansing of Naaman with St. Jude seated by River Jordan

Bead B: members of church; Good Samaritan?

Bead C: Baptism of Christ; Pentecost

Bead D: Last Judgement; Judgement of Solomon

Bead E: Ascension; Transfiguration; murder of Amos by Amaziah, priest of Bethel

Upper scene: Virgin and Child enthroned; Lower scene: kneeling monk holds banderole with his name; St. Bruno, identified by his coat of arms, who was the founder of the Carthusian Order that François Du Puy belonged to, stands behind him

Floral and ornamental designs and coat of arms of Charles V on case; monstrance has 3 sections: pear-shaped pinnacle, oviform centre and hexagonal base;

Inner: Annunciation, two angels holding shield; Outer: Virgin in the Sun, Man of Sorrows

Upper section is triptych with ogee arches, Crucifixion in centre in relief, on vaulted background, numerous figures in foreground;
left wing: Bearing of the Cross with Sacrifice of Isaac in distance;
right: Resurrection, with Entombment and other scenes in background;
second stage is smaller triptych carved in low relief with Agony in the Garden and, on the leaves, the Betrayal

rests on semi-circular arcade with Last Supper in full relief; each side with seated lion grasping a shield

Upper scene: St. George between two blank heraldic shields, donor with an imperial crown (Emperor Maximilian?), donatrix with a book (Mary of Burgundy?); lower scene: a standing St. John with chalice flanked by the seated St. Catherine of Alexandria with a sword on the left and St. Barbara with a tower on the right

Triptych with original Tree of Jesse case.
Upper corpus: Crucifixion with male donor at bottom left with bishop patron saint, female donor holding rosary at bottom right with St. Barbara.
Inner left wing: Carrying of the Cross; Outer left wing: Jesus at the Mount of Olives; Inner right wing: Descent from the Cross with Resurrection below; Outer right wing: Kiss of Judas.